rocknroll conspiracy #1
an enterprising mystery cult like none other
There has long existed a pervasive, intricate and highly organized conspiracy within the arts. The arts serve as an outward expression of the rituals that pertain to an inner, esoteric tradition preserved by (what we may term for lack of a more precise term) the Elites, who are the custodians of this tradition.
This tradition which they guard so close is the great and secret religion of the ages. It’s been passed down since at least since the Scorpionic Age, during which “Martian conquistadores”1 came to our planet and seeded the archaic roots of this tradition. This founding of an awareness of the Spirit marked an awakening in primordial man—the face of humanity’s own soul reflected on the face of troubled waters. This was the beginning of a great and continued procession into the Corridor of the Times. The founding of the secret religion sparked the first true Movement, out of which a series of primal scenes were devised in the symbolic imaginary of mankind. These flashes from the Depths, these visions into the Inner Being of All Things, were organized into a system of symbols and signs by a grand and mysterious order, who were the Missionaries the Martian conquistadores left behind. The hidden religion sought to preserve and develop this ability in man to gaze into the hidden, spiritual world, in order to better understand our true place in the cosmos.
The inner sanctum of the hidden religion has always existed on a secret continuum, while many outer expressions of the cult were made manifest in the World. These are what we today know as THE MYSTERIES, a system of public rites dedicated to the spiritual unfolding of man. The protocols for these rites were cryptically transmitted through the ages, whispered from generation to generation by Initiates of the secret inner cult. The civic rituals took the form of dances, and songs and plays and pantomimes, shadows and light expertly projected upon cavernous walls, imagine it now you are dancing, frenzied satyrs in the court of Demeter, drums pound in unison, it is dark, it is hot, it is WET, you’re dizzy, skin covered in sweat, bodies, smoke, incense, pythons—SWEET INTOXICATION, quite literally, in the form kykeon or soma or some other godly delight which distorts perception and fuels the festivities, the full moon hanging impossibly large in the sky, stars dazzle, Polaris winks, choral voices echo from the amphitheater, masques, great big terrible masques of the monstrous Ancient Gods, agile performers moving their bodies in fanatical devotion to the spectacular primordial myths which they are enacting, myths which conceal the mysteries of our Creation, of our Cosmic legacy, of our Lost Heritage, of our path Home to the palace of our Father.
This tradition began to spread across great sections of the antediluvian world. At special times of year when the celestial gates were most favorable aligned, the ceremonies took place, and they did this over and over and over, and the rituals were the prima materia for all the legends and narratives that would later be employed in order to explain how our tribe of Humanity happened to find itself here on the land, dwellers below the firmament, somewhat removed from our true solar Identities while we exist on our mortal plane.
Yes, the cycle was set into motion, and all of this took place in lost age long, long ago, well before Moses was a twinkle in the pharaoh’s eye. It was during these archaic days and nights that many a lost civilization did rise and fall, the planet populated with a myriad of tribes and beings in this age where magic flourished and dinosaurs warred with nomadic Druids and stories were told over late night fires in the village square, of the ancient and powerful Kings and Queens who had ruled the land in times somehow even more distant than their own. And for many epochs, Humanity lived in accordance with the Law, and were able to transcend this disconnect between soul and body. The inner religion was guarded by the priests, forming the basis for the outer traditions of civic life—the crafts, the arts, the letters, and the sciences.
In High Egypt, the entire populace was devoted to the Rhythm of Life—they were subsumed by the Cosmic HUM, and lived their lives with purpose and intention, from the temple hierophant down to the lowliest slave, all understood that their lives need be lived in service to the natural order of things. This formed a necessity for the public Mystery Rites, a series of civic rituals which commenced over the course of multiple days, during which all citizens participated in the rites. Encrypted within the stories, the songs, the movements, the colors, hidden within all of it there existed a secret language, the arrangement of a system of signs to mystically recreate the primordial essences behind the rites. These hidden meanings could only be understood by initiates of the mystery cults, who had learned the secrets of the hidden true religion of creation. This is the system which would later be poorly reproduced in subsequent eras at Eleusis, etc.
This state of most devoted communion with the Law on a societal scale—a mode which defined Egypt for centuries, would eventually prove unsustainable. To every thing there is a season. The cosmic calendar turned on its axis, and it was in Age of Taurus that a split occurred, the slave class had evolved spiritually to a place where they no longer found it tenable to live their lives on the terms of another, causing an awakening and eventual rebellion. This is the esoteric history behind the emergence of Moses and the exit from Egypt. The time had come for a new version of the Law to be laid down, for the cosmic weather conditions are always changing throughout the Ages, and new protocols are required for spiritual evolution to progress.
Into the depths of this hidden history it is not for me to dwell on here, but suffice to say a schism did occur, the Great Flood marked a significant cosmic transition into a new era, and a a re-instigation of this Grand Procession of the Ages did occur. The founding of the Mysteries—the secret religion—was initiated again. In Babylon did the citizenry begin to attempt to recapture the mystical light of Ancient Egypt once more, however they were not perfectly successful in this attempt. In essence, a Door was Unlocked which should not have been, and a poor imitation of the Mystery religion, a mutation of the secret teachings practiced by the temple priests at Luxor, was unleashed.
The Babylonian perversion of the lost magical protocols did begin to coil its way through the hallowed corridors of the Times. And it is in this incongruence, in this bastardized reproduction of the Foundational Myths, which has led to a great deal of chaos and confusion in the subsequent Ages. The madness which the mystery cults seek to induce in their modern incarnations is a lower vibration channeling than was done in the ancient world, and causes a sort of viral, alluring hipnosis that self-perpetuates within the psyche of the masses. In essence, they are dealing with highly dangerous activities and in doing so recklessly, have place humanity in a delicate position in a crucial moment.
As we stand presently at the precipice of the transition between the Piscean and Aquarian Ages (no precise date can truly be determined for subtle evolutionary shifts such as these—once can begin seeing signs of the coming new age as early as the 17th century, though it is commonly accepted that the planetary initiation into the New Age will likely occur between 2025-2050 AD).
It is extremely difficult for the casual, uninitiated observer to discern the meanings and differences from the system of symbols and signs which make up the secret religion of the ages, as they have been plundered and perverted in recent epochs by warlocks of the materialist plane. It is very easy, for example, to regard this essay with suspicious altogether for referencing topics such as the Mystery rites in any context which does not condone them as explicitly Satanic. These rites can be employed for dark purposes, certainly. And in our times, it is more than reasonable to infer dark associations when confronted with occult themes. However, until we understand that there is a deeper meaning and history to what we have been told in contemporary esoteric circles. Frequently, the student is led to believe the signs of the hidden religion are either perfectly benevolent or shrouded in evil, when the truth is that such determinations cannot be made from surface data alone.
Or, as it was said far more eloquently by Girard in I See Satan Fall Like Lightning:
It is this imbalance which Jesus the Christ sought to restore, and did through his sacrfice, which illuminates for manking a path back to the True Religion of creation—a religion of Peace that honors the Glory of Creation and a personal connection to Him, but all that is for another pamphlet altogether. Suffice to say, the reader should always exercise caution when delving into occult systems, however there is a pure and divine truth concealed deep within that awaits recovery. Avoiding confrontation with these systems is next to impossible—our civilization is awash in the secrets and signs of the perverse Mystery cults. We must learn to see through their dark deceptions, in order to perceive the wisdom which the elite societies have kept hidden from mankind.
The inner, secret tradition of the ages, the one which was founded on our plane by the Martian conquistadores many epochs before the pharaonic age, takes many forms and can be ascribed not to a single group of people, race, or creed. While its existence may be covert, it has persisted nonetheless, encircling the World at the flickering edges of mass consciousness, apparent to precious few, and accessible to even fewer. Those who are born into the priestly caste, the regents of this primordial religion, are the Elite. Very few ascend to these ranks from outside their invisible walls, and when they do, it is often through the avenue of the arts upon which they tread. While access to the inner sanctum of this secret teaching was closely guarded prior to the Babylonian schism, the temple class did nothing to dissuade seekers from arriving at their door through their own means and devices. It was only in the latter days, when the Mystery cults began to spring up across Bronze age nations, that the custodians have sought to do all they can to keep even the most highly legitimate seekers from accessing the inner gates.
Instead, they have sought to drive a great wedge between humanity and the spiritual realms by gradually concealing even the existence of the Mystery religions altogether. The arts of modernity grew out of the secret religion, and gradually evolved into a de facto replacement. Rather than encourage all members of society to participate in rites which could reveal sacred knowledge, the Elite aim to deaden the spiritual faculties of the population, using the secrets of the ancient order as a weapon against Humanity. The arts consist of a series of rites distilled into symbols, which are strategically deployed for purposes of systematic mass hypnosis.
The relationship of the masses—the broad swaths of humanity not initiated into the secret order of the ages—to the secrets of the rituals behind what we call “the arts” has always been guarded. There is a tension between the elite planetary ruling class (who are the guardians of the secret religion) who sponsor the arts, and the masses (who the Elite view as “unwashed,” unanointed, uninitiated [into the hidden religion] vulgar, profane, etc.), upon the everyday lives of whom the system of rituals we call “the arts” are projected.
The arts are mapped all over this thing we call reality by the elites, ostensibly for the betterment and beautification of our world; while covertly the arts serve the purpose of promulgating the secret religion through the ages. Over time, the separation between the arts and so-called reality has blurred. Our society has become possessed by the potent forces anchored to the rites we call the arts. The secret religion permeates through so much of what we do; the language of the occult is the very basis for the systems of signs which surround us at all times. Modernity is soaked in words and images, and this esoteric language speaks through the signs which surround us in an imperceptible manner.
Today, the arts are made possible by a grant from the Carnegie-Rockefeller-Chase-Morgan Family Trust, at the behest of the Board of Trustees of World Civilization. The “And viewers like you” part is mostly chump change, petty tariffs and fees exploited from the consumers’ pocket to keep the nickelodeons operating. The real funding for the arts is received from an elite power tier class, and thus the ultimate direction of this hugely powerful, abstract monolith is guided by their vision. We often do not think of the arts as a weapon, nor as an expression of a secret ancient religion. I am here to urge you to consider that such descriptions can be true.
The arts are more often than not a projection, not a reflection, of a culture. The elites pay for the creation of those arts which express their idealized vision for society. (Some artists understand this intrinsically—we call this The Grifter—while others unconsciously, but intuitively understand this—and for such they are bestowed the title of The Genius).
Below are some questions I ask the reader to ask yourself. I implore the reader to continuously develop systems of thought such as these. I cannot “teach” you the rocknroll conspiracy. I cannot just write it down, for to spell it out would literally just put you under its spell. If I told you explicitly how the rocknroll conspiracy works, all you would see is rocknroll conspiracy. (This instance of ritual psycho-holographic deception is that good!) I cannot outline the rocknroll conspiracy in any literal manner. All I can do is gesture broadly and lie. Nevermind that I already told you, in as concise and explicit a manner, what the rocknroll conspiracy boils down to: TAKE DRUGS AND TALK TO UFOs. But you think i am not being serious, that I am just doing bad poet. No! I am doing these things, I am doing rocknroll conspiracy, I am giving you the tools to teach yourself How to See. but once more I digress. Pick one question for each day of the week. and think about it each time you engage a piece of art—be it in the form of media, advertising, fine arts, performance art, or just ‘artful living’ or so-called aesthetics:
Are artists inspired to create for themselves, or are their impulses guided by the artistic environs engineered by the elite institutions?
Are they not also motivated to create what they believe “the people” want, or need?
From whence are the desires of the masses borne? Specifically, the desires upon which we assume to be the basic appetite which the arts feed—this notion the Audience—where do the artist’s assumptions about their ‘needs’ originate?
If the inspiration of the artist is drawn from the corpus of “classic” works enabled and sanctioned by the elites, is this even truly art, or mere regurgitation of a self-perpetuating closed system?
Could not these elite masters employ the arts not only as a means for engineering social desire, but also as a dialectical method for countering the bleak conditions they exact upon us through their systems of economic and psychological warfare?
Can an artist be truly inspired if they lack a deep, personal relationship to the divine?
If the artist is indeed in communion with the spirit of nature, to what extent can the artistic expressions of such a bond be exploited by the high priests of the esoteric tradition?
“An "Aery spirit" as sketched by Inigo Jones for a masque (1853).... As the use of a theme for court masques became a tradition, the masques became more dramatic, the dancers pretended to be nymphs, shepherds, satyrs, gods, goddesses and so on. The Renaissance love of symbol, allegory and emblem meant that the theme, and the dance itself, became symbolic a symbolic dance, with spoken words to enhance and explain it.""
The means of artistic production and distribution have long been under the control of the elites. The tools, the training, the instruments of the marketplace (galleries, critics, tastemakers) which provide the synthetic veneer of authenticity and respectability, all are under the domain of an elite web of academic institutions. The gifted mortals who are selected from the masses and elevated into the celebrated ranks of accepted masters of technique & form have always been at the mercy of the elite gatekeepers and archons who preside over the academies.
The modern world has changed this to a certain extent, and yet I would argue that even as the arts become ‘democratized’ in the age of mechanical reproduction and electronic transmission, the elites have maintained a firm grip on the institutions and individuals that constitute “the arts” in the contemporary age. These have maintained their control on ancient religion, running it like a cartel for millennia, and thus they outright own, or possess—these exoteric expressions of their inner teachings, which has traditionally been expressed in this cultural notion of “the arts.” In other words, the arts are subsumed by the occult desires of these hidden controllers, and every “revolution” in artistic modes throughout history have been mere cosmetic enhancements of a singular, hidden current flowing behind the scenes.
A wind of change, however, began blowing through the Door to the Heavens not that long ago. While many of the masses remain unawakened to this, they shall not for long. For as the heavenly wheel rotates in the sky, as humanity rapidly passes through the grooves in the record toward the end of Side B, the great cosmic jukebox is preparing to throw on a new record. Our shadowy planetary masters are well aware of this, and aim to use their dark protocols to persuade the Cosmic DJ, Kronos, the Galactic Logos, in selecting a track that energetically compliments their vibe, and enables an extension of their planetary rule.
The elite want to make sure that we don’t know the words when this new beat drops. They want to keep the mic forever, to keep us dancing slavishly to an off-kilter rhythm when they are sturdier grooves our there that Humanity would find beneficial. Right now, at this very moment, wherever you are, you should know that there are natural forces, electromagnetic currents, which are re-aligning, mounting in their luminosity, and these currents shall sustain the will of the People of the Planet. Focus in your mind on these energies right now, imagine them like little light tingle dancing on your skull. The People of the Planet have a chance to literally shift the harmonic frequency of the cosmos in our favor.
The secret ancient religion is itself a perversion of deeper, truer religion, and this deeper religion of which I speak is universal in every sense of the word, and belongs not to these archaic institutions and so-called “royal” bloodlines alone. The wisdom of the ages belongs to all of us all, as they represent a fulfillment of the gift to us all from our Heavenly Father. With each turn of the cosmic calendar, we are presented with new opportunities to raise our vibration as a species, and live in deeper accordance with the divine principles of the Creator.
As we creep zodiacally to a new station in the cosmos, as a new planetary age is born, we are presented with a chance to escape the system of enslavement which has began many centuries ago. This is a moment which our hidden masters are desperate to obfuscate and distract from, because the spiritual corpus of the elites has been corrupted by power for so long that it has gone mad and become dangerous even to itself.
As the time to change records approaches, these silent priests who rule from behind the throne will go to greater and greater lengths to keep their secret workings hidden in the dark. They know full well that this is impossible, that cosmic law (Luke 12:22) is working against them, that their actions must grow increasingly desperate and will yield diminishing returns. Yet these demons persist, because they are truly possessed by an primeval sinister force. Compelled by this ancient darkness to do everything they can to destroy Humanity, and our will-to-liberty, the elites have kept us from even understanding our divine rights, let alone accessing the inherent providence within. The guardians of this religion event went as far as to invent a New, False Light so they might deceive us. The arts, powered by the demonic engine of industrial worldwide commerce, have been used as a vehicle for disseminating the New Light, and the fake New Religion which accompanies it.
They want you to receive their New Light—nay, they demand it—and yet it is a light that blinds rather than illuminates. Rather than be awakened by the Spirit and called to the Father, the New Religion leaves you in a stating of waking hypnagogia, and slavish devotion to the sirens of the state. These power mad elites are well aware of the natural progression of the ages, and are desperate to delay the cosmic retribution which they have earned for themselves. They would rather annihilate the Law rather than be made to reckon with it. They have laid bare their plans for the coming age, their blueprint for the Laws of Tomorrow. It is our calling to do everything within our powers—which, when combined, are unlimited—to not only prevent their plans from manifesting, but also put forth a compelling and superior vision for the planet.
7 But we speak the wisdom of God in a mystery, even the hidden wisdom, which God ordained before the world unto our glory:
8 Which none of the princes of this world knew: for had they known it, they would not have crucified the Lord of glory.
9 But as it is written, Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love him.
10 But God hath revealed them unto us by his Spirit: for the Spirit searcheth all things, yea, the deep things of God
[1 Corinthians 2:7-10]
“Martian conquistadores” - this is my shorthand for a concept which is too complex, so it is easier for me to have you to imagine conquistadores on space camels flying in from Mars or whatever than get into it here.This term is meant to distinguish these visitors from another galactic intelligence network, the visitors which I call The Uninvited (technically a misnomer since some Babylonians summoned them here via the Iraqi stargate or whatever. But nobody here today invited them to stay, and it is time for us to ask them to go home!). It is the Uninvited who were instrumental in the foundation of the global corporate franchise (the Babylonian Enterprise) in addition to the corruption of the hidden religion of the ages. Listen not to fools like me when it comes to specific nomenclature such as this. “The Pleiadeans,” “Zeta Reticuli” etc. etc. it is all just somebody’s shorthand. However, some concepts are so cosmic that they can only be truly perceived through a personal, creative lens. Ponder on this. It matters not if you perceive Martian conquistadores to be literal, metaphorical, or damned lies. What matters is how it is that you create a language for such a concept within your own mind. Outer space is mostly fake and gay, and the parts that are real are totally misunderstood. All you really need to know is that 1) Sirius is currently the source of all that is suss and shady in the local universe, and 2) it is toward the star called Arcturus to which I gaze for Guidance. But to truly understand such things, you must get there on your own—look within. You may indeed find that talking to yourself is talking to “the planets.”