HERE COMES THE BACKKLASH was delighted to have writer (and former anon) David Moulton (@ComradeDoom1) on the program, fresh off his devastating new piece for Compact, How the Left Became Big Pharma’s Shock Troops. David joined Poolhouse (@NuganHandVEVO) to take about the ACT UP - Big Pharma - HHS nexus, their perceptions coming of age as faggots in the late- to post- peak AIDS era, how ACT UP’s complicity in the HIV industrial complex foreshadowed 21st century leftism’s failures, and the secret histories and alternative theories of HIV-AIDS proposed by “dissident” scholars such as Peter Duesberg and Judy Mikovits.
Follow David aka ComradeDoom1 on Twitter
David Moulton: How the Leftists Became Big Pharma’s Shock Troops for COMPACT:
Don’t forget to check out David’s piece in Tablet:
David Moulton: The Great Transitioning
Poolhouse Show Notes:
If you enjoyed David’s piece as much as I did, you may be interested in following some of these threads below. I used preparing for our conversation as an excuse to compile some of my research into the various backstories around the “HIV Industrial Complex” (or what John Rappoport calls AIDS, Inc.).
CELIA FARBER
Celia Farber - SPIN’s 1989 Feature: ‘Sins Of Omission’ [AIDS & the AZT scandal]
Celia Farber: The Passion of Peter Duesberg
Farber (writing in RFK’s The Real Tony Fauci) on describing just exactly how the “HIV Regime” maintained its hegemony:
And who are the enforcers of the HIV regime? Enter the shock troops.
“ACT UP! FIGHT AIDS!”
NYT Fluff piece (April 2020) on the breathtaking “patient rights” activism achieved by ACT-UP (in the same edition where someone made fun of anti-maskers, probably).
“ACT” UP. From a 1987 crisis actor casting call patient rights protest:
Listen, I get it. I don’t hate the playas, just the game!
We’ll see you boys down at The Saint ;-)
Larry Kramer 1991 Remarks on AIDS
And, as I mentioned , before his death in 2020, Larry Kramer was writing a play about covid.
I’m envisioning A Very Serious Drama version of this.
POLITICALLY CORRECT LINGUISTIC WARLOCKERY AKA THE SCIENCE™
US Drops Misconduct Case Against AIDS Researcher (NYT: November 13, 1993)
Gallo (the proto-Fauci, or “the don of dons” as Mikovits called him) is alleged to have stolen Luc Montagnier’s research, and was acquitted only through linguistic chicanery: government watchdog “now using more stringent standards” to decide what defines “scientific misconduct.”
For the millionth time, when Burroughs said, “Language is a virus from outer space” he was absolutely correct.
“Woke” wordplay (aka ‘political correctness’) / performative activism are the literal police / enforcement of The Science, which is the true state religion of the New Normal.
This “correction” to the above article is a perfect example of the marriage of the AIDS industrial complex to the politically correct word games.
“the article didn’t say Dr. Gallo stole HIV from Montagnier, the article merely stated it was impossible he possessed it through any other means besides blatant theft.”
This is the same logic Fauci has used to deny he perjured himself during congressional testimony. (“Senator, that’s not ‘gain of function.’”)
James Shelby Downward is right–”what they call things” is the only real science they have got!
LUC MONTAGNIER
Luc Montagnier, another 70s cancer researcher, is the true “discoverer” of HIV (which means he was the first to isolate the virus, though according to Duesberg, this was not done according to Koch’s postulates, a long maintained standard of scientific rigor).
Just as it seems all the major experts in the covid crisis came out of the HIV industrial complex, many of the “AIDS, Inc” scientists emerged from government-funded “cancer research” (the implication, of course, is that they were curing it, however the published papers indicate an obsession in the other direction).
Montagnier, like all who play a dissident role in The Science, is a complicated figure:
April 2020: as the NYT was gassing up the legacy of ACT UP, Luc Montagnier was publishing his “watchmaker” analysis, observing the curious homologies between COVID-19, HIV, and SIV (a simian virus with its own complex relationship to the history of HIV).
Here, Montagnier notes the so-called “uncannily similar” HIV inserts in the spike protein sequence are placed with “watchmaker’s precision:”
This observation led Motagnier to conclude the covid-19 virus was of “partially” synthetic origin (more wordplay?).
PETER DUESBERG
As mentioned, I do not necessarily co-sign Duesberg’s theories, but I think they are worth considering (particularly in the light of how certain covid-era deep state actors were able to maneuver counter-narrative spaces so easily).
Two very interesting facts here:
Duesberg “grew up in Germany during WW2” (next-gen Paperclip?), and his 1970s cancer research (do this research enough, and that string of words will make your hair stand on end) involved the genome involved in the virus known today RSV.
Peter Duesberg, in his own words (and a bitchin’ forward form Kary Mullis, inventor of the PCR technology)
THE SECRET HISTORY OF HIV-AIDS
Emerging Viruses and Vaccines - Dr. Leonard Horowitz
This is the “interview” (in classic Judy style, it is basically an hour long stream of consciousness monologue) that made me fall in love with this mad scientist and charmingly brilliant woman.
(I am only half kidding when I say I want to make a six-hour miniseries called A Teleology of Judy Mikovits and breaking down this interview sentence by sentence. It would probably only take one more person after that to make sense of what we were saying.)
Note: on the air I mis-stated that Mikovits was a disciple of Frank “Garcetti.” Judy Mikovits’ longtime friend and mentor from her time at Fort Detrick (NCI) is named Francis “Frank” Ruscetti (Phd). Mikovits worked for NCI beginning in the early 1980s.
Mikovits: Plague of Corruption | Ending Plague: A Scholar’s Obligation in an Age Corruption
I recommend Plague of Corruption for the RFK forward alone, it is a comprehensive history of dissidence in the biodefense (read: virology) sciences of second half of the 20th century.
1971 US Special Virus Cancer Program Progress Report 8
Ponder on it: “By way of anthrax, you can tie 9/11 to covid and to AIDS.” —Poolhouse (and I should have mentioned Gulf War Syndrome too!)
HEP B / VAX THEORY
From Tim Lawrence’s indispensable history Love and Death on the New York, 1980-1983: 80s electro / downtown NYC artist Man Parrish (“Hip Hop Be Bop,” “Boogie Down Bronx”) on his suspicion that avant-garde performance artist Klaus Nomi (and other gay men of the period) contracted AIDS as the result of iatrogenesis:
Parrish states here that it was a gonorrhea vaccine, however I can find no evidence of trials for that particular vaccine at the time. There is, however, a great deal of anecdotal evidence that the Hepatitis vaccine that was trialed in urban gay populations in the late 1970s may have been closely associated with the emergence of AIDS.
h/t Nick Petosky for the above image. I’ve heard lore of the Hep vaccine’s links to HIV/AIDS, but the first time I laid eyes on this poster I suddenly felt Absolutely Certain that this was indeed the truth.
I am hoping to convince Nick to come on and share some of his research with us soon.
Nick’s thoroughly researched lecture on eugenics,Special Cancer Virus Program, biodefense research, and the likely laboratory origins of HIV. (be forewarned, these are heavy topics that will likely challenge long held notions about science, military, and state)
THE SAINT NYC
The Saint: NYC (1980-1988) - "People called it the 'Saint's disease' because everybody who got it seemed to be among the guys who danced all night at that popular disco.." - Randy Shilts, And the Bandy Played On
The Saint - Under the Dome (date unknown)
“The Vatican of Disco,” The Saint dance club opened on September 20, 1980 in New York's East Village. It’s eight years of operation paralleled the early years of the AIDS crisis.
As Disco Faces Razing, Gay Alumni Share Memories (August 21, 1995, NYT) On the demolition of the spectacular domed palladium that was home to The Saint:
Tom Moulton, Godfather of Disco, Inventor of the 12-inch Extended Remix, just cuz (still alive and thriving btw, just to dispel the myth that any homosexual male involved in the disco / early HIV era died of AIDS).
David Moulton is now *canonically* the great-nephew of this production legend, at least within the BACKKLASH extended cinematic universe.
Additional theme music - some dancefloor classics from The Saint era:
Man Parrish - Heatstroke (Club Mix) (Poolhouse Edit)
David Knopfler - Shockwave (12” Special Mix)
Narada Michael Walden - “High Above the Clouds”
Share this post