rocknroll conspiracy #3: the rolling rock
it shall gather no moss
There exists an esoteric system which operates beyond the veneer of the Ostensible. This is the hidden world which is beyond the perception of the masses. A priestly caste presides over the innermost sanctum of this interior order, which they maintain through a system of initiatory rites.
For aeons, those at the top of the inner world had a significant influence on the way the outer world operated. It was a part of their secret teachings that it was the priests of this temple who held a divine rite to rule over the common man, and this esoteric order behaved accordingly. Certain methods for controlling the population through psycho-mystical practices were systemized. The order would exist in perpetuity.
In the wake of the atomic age, an acceleration of operations by a certain column within this elite clergy did commence. There began a struggle for planetary dominion, and dormant fractures amongst the Druidic lords were exposed anew. A great moment for the planet loomed—the lease was up for grabs! The winner would take all. The spiritual battle for control of the Coming Age began in earnest.
Amidst the palace intrigue within the highest ranks of the planetary order, a new threat emerged:
From beyond the farthest reaches of Space and Time, a distant cosmic ray began emanating upon our blessed rock for the first time in ages.
This new, powerful force began to manifest on this planet, and the hidden masters had no choice but to attempt to use that new fire against itself.
We shall call this energy rocknroll, not to be conflated with the musical genre known by the same name. The music known as rock and roll is but an expression or result of the influence of this rocknroll energy on our planet.
The rocknroll conspiracy is our code name for a set of operations designed to contain and mitigate the threat of this new force, and eventually, to exploit it. In practice, these efforts amount to social engineering and spiritual warfare.
Rocknroll is a curious form of cosmic energy, for it could not be stopped by these rogue conspirators. It could only be managed, appropriated, subverted.
Just as ancient civilizations used the so-called Mystery traditions (Rites of Eleusis, Orphic Mysteries, etc.) to encode mystical teachings and secret histories within human expression—art, performance, ritual, signs—so that esoteric wisdom could be passed down through the ages, so to does rocknroll serve a similar function in the present age, whether we are aware of it or not. It is our understanding that those mystery religions began to be corrupted beginning somewhere in the Bronze Age, and gradually became associated with secret societies of dark occultists and regarded with suspicion.
This new force presently arriving on the planet in advance of the Coming Age represented an energy which could be used to restore the underlying spirit of the ancient mystery religions to a state of grace.
This new force manifested in America as an archetypal energy I call rocknroll.
The term “rock and roll” is now something that evokes safe feelings of yesteryear. Where once rock music culture was viewed as rebellious, even dangerous, we find now that associations with the radical spirit of the 60s subsumed by rock’s place as grocery store soundtracks of golden oldies from moldies. Metal, once remembered for its direct ties to the occult, instead is today canonized through the works feckless and dated “hair metal” pseudo-genderpunk transgressors. Even punk is no longer remembered for its artful and urbane nihilism, and instead is fondly recalled for it’s Hot Topic-infused pop-punk incarnations.
So why am I speaking of rocknroll, when it is, to quote noted philosopher Marilyn Manson, “deader than dead?”1
When I speak of rocknroll, I am only partially referring to this commonly accepted definition: this well-known (albeit antiquated) concept of a musical genre and cultural lifestyle. Rock and roll, as it more commonly written, is a grand tradition that emerged as a bridge between the modernist and postmodernist cultural modes. Rock and roll is a mid-to-late 20th century series of stylistic iterations on the gospel-folk-bluegrass sound. This genre is the basis for my notion of rocknroll, or perhaps more accurately, rocknroll is the conceptual underpinning, the subtle energetic influence of this style of music known as rock and roll.
Rock and roll got its start as a mutation of the original Americana musical frequencies, but it has taken on many forms ever since. Soul, disco, country, funk, hiphop, techno, et. al—these are all variants which themselves have been borne form the OG rocknroll strain that first collided with the public consciousness like an exploding comet back in 1955.
All contemporary expressions of pop music flow from their shared rocknroll roots. EDM, pop-punk, and trap music are distinct genres with their own clearly defined contours and associated subcultures, but at the same time its all just the original rocknroll energy being harnessed and repurposed by the elite controllers. To know that the more things change, the more they stay the same, is to understand one of the underlying principles of the rock roll conspiracy: we do not experience revolutions so much as we simply revolve, round and around the clock (Saturnian dimensions of time and space as administered by his loyal cult of elites), the record keeps on turning along, over and over, an endless hit parade of Zodiacal zealotry.
Rocknroll is American, the fruit of the interplay between the many cultures and traditions that flow from the heart of the nation. It is a mystical force that belongs to no one people or tribe. It is a mutation, an aberration of the past, an accident of history designed to thwart the agenda of those who hold dominion over us all. Rocknroll is a revelation
Indeed, rocknroll is a force of nature as expressed through the hands and voices of the People of the World at any given period in history. It is a gift from the Ancient Godlikes handed down to the Inheritors of the Planet.
Like a comet, rocknroll is a stellar force that orbits through the ages, always arriving right on time when it is needed by the People of the World the most. The elite rulers, the Board of Trustees of Civilization, have long sought to weaponize this force called rocknroll, to harness it and use it against us an another tool for the purposes of enslavement. In its consecrated form, as a Product, rocknroll has been used as a powerful weapon for purposes of manufacturing the desired outcomes of the druid class.
This process, this operationalizing of the rocknroll vibe as a form of controlled opposition, of managed dissent—this is what we mean to describe with the term rocknroll conspiracy. This rocknroll conspiracy is the exposure of a collection rituals, spells, clandestine operations, aesthetics, memes, and other media which constitute a “master narrative” or grand conspiracy, which might be grouped in the following themes:
The careful and deliberate concealment of Certain Truth as it is cleverly disguised in the form
The Byzantine structure of the recording industry, the criminal manner in which it conducts business, and the weaponization of arts and commerce against the people—such is the essence of this and all conspiracies.
The “twilight language” or “witch pop” used in the lyrics, naming conventions, and imagery of popular music. This is a system of subliminal ancient esoteric programming, hard coded into the subconscious network of mankind. Through hypnotic triggers (syncopated rhythms, geometric sound design, and lyrical invocations), the Druidic system of control (also known as the Cryptocracy) is promulgated unto the public consciousness. Using popular music in order to induce a state of mass hypnosis is a core aspect of the rocknroll conspiracy.
That the instructions for this system and the aims of this conspiracy are ultimately based upon the Secret Work and Hidden Teachings of the shadow entities (symbolized by UFOs), who maintain a covert relationship to mankind and use certain planetary Regents (the planetary high priests) to conduct activities in our world in accordance with the LAW.
Rocknroll is a fundamental American myth. I believe we need myths, mythos, and mythologies at this time more than ever. And rocknroll is a myth which, while perhaps out of vogue and stale within the cultural zeitgeist, is something that is as accessible to any American as Coca-Cola, Big Macs, or Mickey Mouse. With some pomeade, leather, Wayfarers and an internal combustion engine, any American can access this potent myth, and begin to reimagine themselves within it.
Rocknroll is an American myth that unites us. Rocknroll is something bigger and more primal than the dead musical form we associate with the phrase.
Rocknroll is a cosmic phenomenon.
Rocknroll is an elemental thud, an archaic snare drum echoing across the underbelly of the ages. It is a sacred force, ageless, subject to variance in its perceivable form depending on whichever American peoples are working with these energies in a given time and place.
Rocknroll is the explosive byproduct of the alchemical reaction formed by the convergence of two primary ancient American forces: Indo-European culture (Atlantis), and Indo-Pacific culture (Lemuria).
Rocknroll is the gospel of the Exceptional Americas. Rocknroll is the destiny of our great nation made manifest. The true history of the World, the lost chronologies of mankind, are being recovered in the popular consciousness after being lost for aeons. America, a nation which rests upon the remnants of a great antediluvian land, has a secret destiny. Americans have a crucial role to play in the founding of the New World for the Coming Age. Americans possess a restless spirit, a nation of rolling stones for whom rocknroll is both an extension of identity, as well as a means for the advancement of this new emerging civilization.
Rocknroll is an alchemical American technology.
Rocknroll IS the one true sound of NOW! Rocknroll IS the rumbling echo of the BIG BANG, the one big POP—the sound of the luminous particles of creation flooding the chalice of the world as it emerges into BEING
Rocknroll is the primeval noise of something that is both timeless, yet can be captured but one time.
Rocknroll is an ancient effervescence, a layer of primordial fizz bubbling to the surface of NOW, like the cracking open of a cold beer can on a hot summer night.
Rocknroll is a negative photocopy of the moment of logoic self-awareness, the sound of the spirit as it is reflected upon the moving waters of the deep unknowable. Rocknroll is the operatic song cycle of a universe exploding into existence.
Rocknroll is first sound and the last sound, it contains the wonder of CREATION and the triumph of JUDGEMENT. Rocknroll is a sustained vibration which has been occulted throughout the dark ages as it faded from the central plane of existence where mankind dwells. Rocknroll is for it is a tremendous sound wave, a magnificent arc rising and falling as it oscillates throughout the ages.
Rocknroll is a faint radio signal, fuzzy static at first but gradually becoming a formidable presence on your radio as your drive your car on empty highways through the high desert of the American west beneath moonlight and UFOs.
Rocknroll: the force which powers all great forms of contemporary popular music, is Instantaneously Gratifying. When properly, and safely, consumed, it can be Mood Enhancing. Spirit Raising. Mind Expanding. Liberty Inducing. Liberation through velocity—whether by horseback or racecar or beats per minute.
Rocknroll is an elemental force: it is the Source of Holy Rolling Good Times!
Rocknroll IS kino. Rocknroll is imbued with kinos, the cosmic substance of which dreams and reverie are made, the divine aesthetic energy particles of the heavens.
Rocknroll is like cinema, only it exists in a purer state. Both cinema and rocknroll can induce in an audience a consecrating principle. Both forms produce an accumulation of subtle psychic energies inside the mind’s eye. Whereas cinema relies on kino—aesthetique—to derive and transmit kinos, an energy form which it draws from the subtle planes and delivers into the spiritual centers of the viewer.
Rocknroll, unlike cinema, has the benefit of only needing to employ visual elements when it desired to do so.
Rocknroll uses kino in a purer manner, one which is akin to the avant-garde traditon.
Rocknroll uses broad strokes to convey story, it relies not on tight narrative conventions as is the case with cinema. For this reason, Rocknroll storytelling is more primal than cinema—although both rely heavily on archetypal symbology and other forms of subliminal language.
Rocknroll relies on both sound and visage: the radio alone could not accommodate the totality of this force. Indeed, it was through the silver screen (Blackboard Jungle), not the radio waves, through which the rocknroll energies first began to permeate the culture. Album art, TV appearances, the music video, and advertising are all mediums through which rocknroll is expressed. But rocknroll does not rely on visual imagery to exist, for rocknroll can conduct its sacred essence through sound waves alone. The light of Lucifer is a mighty force, but it is the Sound which is the Foundation of the material plane. The Light is preceded by the Sound—it is for this reason that it is written that in the beginning, there was the Word.
Rocknroll can evoke the specter of any number of Spirits of the Times, it is a time machine and a stargate and a history map and grimoire and vessel.
Rocknroll is made of the excited particles of chaos that powered the birth of the World and will preside over its eventual Destruction and Resurrection. The state of Permanent Revolution which the cult of Marx has long sought to engineer is but a poorly constructed, synthetic recreation of the true transformational energy of the cosmos.
Rocknroll is the expression of a certain rebellious energy, a magnetic fire, a Spirit whose arrival has always preceded moments of great transformation throughout history.
Rocknroll IS the one true vibe: a participatory vibration from the depths of the cosmos. It allows the common person to vibe, at least momentarily, with the Ancient Emanations, the first ripples of CREATION within our universe: through rocknroll, one can commune with the Titans, the Vishnus and Melek Taûs2 of the World. The sacred rites of rocknroll need only be performed once for its intended effect to take hold—the trick is really quite easy once you learn how it is done.
“And thrice shall we dance the Rock Madonna: first Together, then Alone, then as One,” or so goes the cryptic statement etched upon the shiny silver surface of the sacred diskos3 , the one buried under the Mojave, one of the three such objects which correspond with this sacred force.
Rocknroll is the total vibrational expression of the planet rocking!
Rocknroll is a party at the end of the world, and everyone is invited.
When the Judgement Day is upon us, perhaps you will find you are drawn to the Glory of Salvation by the trumpeting sounds from the LORD of Heaven (& His Detroit Techno Children’s Choir) through the sheer power of GRACE alone. OR, perhaps you should find yourself sentenced to a few millennia of torment in lake of flames, gasping for air for 1000 years whilst being laughed at by the Dark Prince—the Big Guy Downstairs—and his cackling consort, the Fat Black Duchess, Babalon the Great (Mother Material). It matters not which path you tread, be it toward salvation or damnation, for as the planet rocks around the celestial clock, as the Hour of the Time ticks closer, as we find ourselves inching precariously to the precipice of the Great Recycling.
It matters not at all what your standing should be on Judgement Day. At that point, it is too late for regret or fear or for anything else. At the Last Night of the World, the rocknroll energy will reign supreme: All we can do at the moment is Party the Night Away, rock unto thee dawn, and accept our final fates.
Rocknroll is the sweet alchemical byproduct of the True Americans: those souls who vibrate in unison with the great destiny of the nation.
Rocknroll is a machine for locating the Soul: that pool of water, the essence of Pure Self that is drawn from the well of the mind.
Rocknroll is a secret language, a contemporary kabalistic cultural code, a framework for understanding the incomprehensible mysteries of the World.
Rocknroll is a spiritual vibration that rattles the shackles of material enslavement, loosening our feet so we can dance our way to salvation.
Rocknroll is the sound of a people who will suffer as slaves no more under control by any means—physical, mental, spiritual, emotional, for there is no one single method of domination practiced by our dark lords.
Rocknroll is a modern method for invoking the sacred, for achieving liberation from a network of oppression which has plagued humankind since we first appeared on this planet.
Rocknroll is clutch of talismans that can be used to plot ones own spiritual escape from the intergalactic franchise, from the shadow of the black iron prison that has been cast over our land we call America for so long.
Rocknroll allows for the transmutation of the invisible chains that bind us all. For one need not spend a lifetime chained to it any longer if one is able to get the rock a rolling! So find a way to get that stone a spinning!
Rocknroll ignites a great stirring of the soul, it stimulates the root of the self that grows within, where it is connected with the prima materia, the Source of All Things.
Rocknroll achieves this alchemical result through ritual performance of archetypal and esoteric figures.
Rocknroll achieves this alchemical result through its mysterious rhythms—which evoke memories of a lost time, a Stoned Age far removed from memory, one erased by the sands of time, but which lives on in a place we can still access through the eternal summer of the heart: O! how sweet are the memories of this lost age, from a time when pre-Adamite man transcended its base nature and came into Being, which was the Initiation of Manking into Consciousness, in the days of that moldy oldy prehistoric Stone Age, which possessed a brief yet endless moment of wonder, a time before savage hominids fully entertained the notion that we could be Civilized, and began to abandon the endless hot nights spent defending villages chasing space dinosaurs and moon goblins, getting drunk with the boys by the river on poison jungle berries, throwing rocks and chasing water maidens, knocking over sacred vessels with glee to the horror of the village elders, who never got it, even back, the old folks somehow never understood what it meant to be young and to be free, to maintain a certain degree of the Animalian nature, to have enough stones to think you can rule the Night, to know when to roll the dice when you can get the chance, because it’s all a Crapshoot in the game of life after this anyway, only there’s no sense of freedom or fun, just an endless round of 52 Pickup, so why not live like an asteroid could slam into the planet an end it all tomorrow, or a Sorceress in a faraway land might accidentally unleashe an Icy Fire Storm and the whole world is put out of its misery, and there was never any trace of you left on the face of this rock, there is something about this moment, this boundless Stone Age American Moment, using our feet to dance and shuffle our way down the Lost Highway, this magic moment, so epheremal and flatting yet somehow in the end this shimmering blissful memory will outlast us all.
Rocknroll is this myth, the myth of a lost age eternal bliss, the myth of our storied Fall from the paradisiacal codition, the myths required if we are to charter a retvrn to this state of pure being—these are the myths which are literally carved into stone.
Rocknroll is kaleidoscopic bead game masquerade play, written on a blessed rock, inscribed with mystical etchings by an Ancient and Primordial God, to whom we shall refer to as the SuperEye Satellite—the Pharaoh of Funk, or simply the Pharaoh. Those etchings contain the all of the secrets of the one true vibe—a collection of cosmic frequencies which are extremely powerful when blended together by the Pharaoh, who was a great and powerful alchemical wizard in a Age Long Before Our Own. The Pharaoh presided over this world of magic and bliss, where the World and the Heavens were connected by a rainbow bridge. The point of intersection between the realms lay within the temple of this Funkin’ Pharaoh: a violet crystal dome upon the highest mountain peak at the center of the world, from where he maintained a benevolent influence on the planetary logos.
The Pharaoh knew that from time to time, humankind would need this powerful energy, this very rare a special electric bolt which was his most powerful instrument of awakening and change. The Pharoah used a great jagged rod made of platinum, silver, gold and plated in shiny red chrome, which he called The Bolt. The Bolt was charged with the potent and chaotic particles of creation, a highly stimulating energy which I have referred to throughout as rocknroll. Because the Bolt got the “rocks rolling”—that is, they stimulated the spiritual “chakra” centers in the subtle body and prepared the vessel for initiation into the Mysteries of the Pharaoh’s order. The rolling stone—the spiritually awake end soul—gathers no moss, that is, it remains vibrant and in tune with the one true vibe.
The Pharaoh wanted mankind to have a weapon against evil forces who ruled over our planet, one’s that he had personally defeated but he knew would one day return, and the human race would need the rocknroll electricity to defeat them. So, the Pharaoh chipped off a rock from the Bolt, smoothed it into a round stone, and inscribed the mysterious coded messages (encrypted in a series of myths), upon its surface. The Pharaoh sent the rock a rolling down the mountain, which was tilted at a 33 1/3° angle, which propelled it onto the path of the rainbow bridge, so that stone would fly like a blazing rocket in a spiral around the heavens, orbiting past our planet. The Pharaoh did gave a blessing: that the rock “shall gather no moss” before he released it knowing it would be back one day for us to Activate.
The return of this holy rolling stone is upon us. When the Blessed Rock comes into contact with your Spirit, the Spirit is Moved. Your vibration is raised, and your soul is awakened. The rocknroll conspiracy seeks to counter this with synthetic processing, with initiation into their satanic mystery religion.
One by one, millions of souls are due to be awakened over the course the next century.
This poses a grave threat to the Conspirators, who are powerless to stop the return of rocknroll from the antediluvian depths. All they can do is attempt to subvert its influence, to use the energy designed to help humankind as a weapon against us.
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“Rock is Dead,” Marilyn Manson, Mechanical Animals (1998)
The Babylonian deity who in scripture is referred as Melchizedek.
33 cosmic disks are buried within our planet. These disks have remained largely dormant since the Fall of Oceania, aka The Great Flood. As the new Cosmic Age dawns upon us, the disks have begun to slowly vibrate and whir. Three of these disks are buried in America, and it is the great work of the Pharaoh of Funk to provide a steady vibration which is slowly causing the disks to rotate. The activation of these disks, and the sacred energy known as diskos which is associated with it, is intrinsic to the mystery Planetary Initiation.